ペルソナ5もニューダンガンロンパV3も、今プレイされることに大きな意味があると思います。V3の"嘘"というテーマも、post-truthなんて言葉が出てきた時世だからこそ際立つ。そしてその鋭い問いが向けられているのは、まぎれもなく私達自身なのです。
でもあれだけ直接的に訴えかけられても、一部の人はまだ「これはただのゲームで自分には関係ない」と思うかもしれません。それでも志を持って作品を作り続けるクリエイターの人達を私は尊敬するし、心から応援したく思います。そんな訳で次の土屋作品には大変期待しています。＞プレッシャー
Both Persona 5 and New Dangan Ronpa V3, I think there is a big meaning to play them now. "Lie", the theme of V3, is remarkable for the present time that a word "post-truth" has came out. We must realize the strong question is given to us, not anybody else.
However, some people still might think "It's only a game and there's nothing to do with me." although these works express the message such directly. But I respect creators keeping to work on with their spirits and send cheers to them from my heart. Therefore, I'm looking forward to next Director Tsuchiya's work very much.>putting pressure
2017年1月26日木曜日
2017年1月2日月曜日
Jan. 2, 2017
トライナリーでという訳じゃないけど、多人数前提のダイブも面白いんじゃないかと思いました。サージュのチェインとアルトネリコ２のインフェルスフィアを足したようなイメージで、各人の精神世界をみんなで順番に歩いて、クリアすると参加している全員の互いの絆が深まるみたいな。
技術的な問題はいろいろあるでしょうが、チェインする形なら精神許容的には耐えられそうだし（アルトネリコではダイブマシンが対応していないため、そもそも人間にダイブできない）。と思い付いたのは、トライナリーで各人に精神世界があるのなら歴代最多人数だから考えるの大変そう…と余計な心配をしたからですw
I don't mean to suggest this for Trinary, but I just happened to think Dive by multiple persons would be interesting. The method would be kind of a combination of Chain in Surge Concerto and Infelsphere in Ar tonelico 2. Members are supposed to walk through each member's spiritual world, and then their bonds would all tighten up after they finish.
There could be some technological problems, but I suppose a person can endure in terms of psychological capacity. (In Ar tonelico series, human can not be Dived first of all since Dive Machine is not made for such use.) I came up with this idea because I'd worried that it's hard to make plots for spiritual world for all five girls since it's the most number of heroines in the history of Director Tsuchiya's works (which is totally uncalled-for, I know).
技術的な問題はいろいろあるでしょうが、チェインする形なら精神許容的には耐えられそうだし（アルトネリコではダイブマシンが対応していないため、そもそも人間にダイブできない）。と思い付いたのは、トライナリーで各人に精神世界があるのなら歴代最多人数だから考えるの大変そう…と余計な心配をしたからですw
I don't mean to suggest this for Trinary, but I just happened to think Dive by multiple persons would be interesting. The method would be kind of a combination of Chain in Surge Concerto and Infelsphere in Ar tonelico 2. Members are supposed to walk through each member's spiritual world, and then their bonds would all tighten up after they finish.
There could be some technological problems, but I suppose a person can endure in terms of psychological capacity. (In Ar tonelico series, human can not be Dived first of all since Dive Machine is not made for such use.) I came up with this idea because I'd worried that it's hard to make plots for spiritual world for all five girls since it's the most number of heroines in the history of Director Tsuchiya's works (which is totally uncalled-for, I know).
2016年12月28日水曜日
Dec. 28, 2016
トライナリーの子達もいざという時には自分を犠牲にしそうな感じで心配…土屋作品のヒロインはそういう子が多いですが、それに素直に疑問を呈したのがティリアです。（ティリアはアルトネリコ３の小説で、民衆のために自分が犠牲になることを拒否し、シュレリアと口論になりました。）
I'm worried for Trinary girls who seem to make self-sacrifice when it comes to the crunch...heroines in Director Tsuchiya's works tend to be like that; Tilia is the one who straightly raised question about it. (In Ar tonelico 3 novel, she refused to be sacrificed for people and made a fight with Syureria.)
日本には自己犠牲を社会的に好ましいとする風潮があるので、創作物でも1つの大きなテーマになっています。しかし、そういう考え方がブラック労働を生み、戦時の“特攻”にもつながっているのです。サクラ大戦で、時代の変化に伴いそこの表現が１→２で真逆に変化したのはとても象徴的です。
In Japanese society, there is a tendency in common sense that self-sacrifice is a good thing. Thus it has been one of the big theme in creation. However, such way of thinking causes sweatshop ("black company" in Japanese), and it had lead to Kamikaze (suicide attack) in WWII. In Sakura Wars game series by SEGA, expression of this theme had changed in opposite way from 1 to 2 with the times; I consider it is very symbolic.
若い人には本当に自分を大切にしてほしいと思うし、そうできる地盤を私自身を含む年配者が作らねばなりません。土屋作品でもそういう人物が要所に配置されていますね。もうこの年になると、そういう年配キャラの方に共感して見ている自分がいますw 私自身は権力のないワープアですが、それでもできる範囲で若者が希望を持てる社会になるように行動したいと思います。そして、そんなメッセージを発信していくことが、創作物の役割の１つではないでしょうか。
I really hope young people to respect themselves, and elder people including myself have to build up a basis which enable them to do that. I can see such elder characters often appear in Director Tsuchya's works, too. At my age, I sympathize with elder characters more than before. I'm only a working poor who have no power, but I want to take action as possible as I can to change this society to let young people have hope. And I believe sending such message is one of the roles of creation.
I'm worried for Trinary girls who seem to make self-sacrifice when it comes to the crunch...heroines in Director Tsuchiya's works tend to be like that; Tilia is the one who straightly raised question about it. (In Ar tonelico 3 novel, she refused to be sacrificed for people and made a fight with Syureria.)
日本には自己犠牲を社会的に好ましいとする風潮があるので、創作物でも1つの大きなテーマになっています。しかし、そういう考え方がブラック労働を生み、戦時の“特攻”にもつながっているのです。サクラ大戦で、時代の変化に伴いそこの表現が１→２で真逆に変化したのはとても象徴的です。
In Japanese society, there is a tendency in common sense that self-sacrifice is a good thing. Thus it has been one of the big theme in creation. However, such way of thinking causes sweatshop ("black company" in Japanese), and it had lead to Kamikaze (suicide attack) in WWII. In Sakura Wars game series by SEGA, expression of this theme had changed in opposite way from 1 to 2 with the times; I consider it is very symbolic.
若い人には本当に自分を大切にしてほしいと思うし、そうできる地盤を私自身を含む年配者が作らねばなりません。土屋作品でもそういう人物が要所に配置されていますね。もうこの年になると、そういう年配キャラの方に共感して見ている自分がいますw 私自身は権力のないワープアですが、それでもできる範囲で若者が希望を持てる社会になるように行動したいと思います。そして、そんなメッセージを発信していくことが、創作物の役割の１つではないでしょうか。
I really hope young people to respect themselves, and elder people including myself have to build up a basis which enable them to do that. I can see such elder characters often appear in Director Tsuchya's works, too. At my age, I sympathize with elder characters more than before. I'm only a working poor who have no power, but I want to take action as possible as I can to change this society to let young people have hope. And I believe sending such message is one of the roles of creation.
Dec. 28, 2016
トライナリーの子達もいざという時には自分を犠牲にしそうな感じで心配…土屋作品のヒロインはそういう子が多いですが、それに素直に疑問を呈したのがティリアです。（ティリアはアルトネリコ３の小説で、民衆のために自分が犠牲になることを拒否し、シュレリアと口論になりました。）
I'm worried for Trinary girls who seem to make self-sacrifice when it comes to the crunch...heroines in Director Tsuchiya's works tend to be like that; Tilia is the one who straightly raised question about it. (In Ar tonelico 3 novel, she refused to be sacrificed for people and made a fight with Syureria.)
日本には自己犠牲を社会的に好ましいとする風潮があるので、創作物でも１つの大きなテーマになっています。しかし、そういう考え方がブラック労働を生み、戦時の“特攻”にもつながっているのです。サクラ大戦で、時代の変化に伴いそこの表現が１→２で真逆に変化したのはとても象徴的です。
In Japanese society, there is a tendency in common sense that self-sacrifice is a good thing. Thus it has been one of the big theme in creation. However, such way of thinking causes sweatshop ("black company" in Japanese), and it had lead to Kamikaze (suicide attack) in WWII. In Sakura Wars game series by SEGA, expression of this theme had changed in opposite way from 1 to 2 with the times; I consider it is very symbolic.
若い人には本当に自分を大切にしてほしいと思うし、そうできる地盤を私自身を含む年配者が作らねばなりません。土屋作品でもそういう人物が要所に配置されていますね。もうこの年になると、そういう年配キャラの方に共感して見ている自分がいますw 私自身は権力のないワープアですが、それでもできる範囲で若者が希望を持てる社会になるように行動したいと思います。そして、そんなメッセージを発信していくことが、創作物の役割の１つではないでしょうか。
I really hope young people to respect themselves, and elder people including myself have to build up a basis which enable them to do that. I can see such elder characters often appear in Director Tsuchya's works, too. At my age, I sympathize with elder characters more than before. I'm only a working poor who have no power, but I want to take action as possible as I can to change this society to let young people have hope. And I believe sending such message is one of the roles of creation.
I'm worried for Trinary girls who seem to make self-sacrifice when it comes to the crunch...heroines in Director Tsuchiya's works tend to be like that; Tilia is the one who straightly raised question about it. (In Ar tonelico 3 novel, she refused to be sacrificed for people and made a fight with Syureria.)
日本には自己犠牲を社会的に好ましいとする風潮があるので、創作物でも１つの大きなテーマになっています。しかし、そういう考え方がブラック労働を生み、戦時の“特攻”にもつながっているのです。サクラ大戦で、時代の変化に伴いそこの表現が１→２で真逆に変化したのはとても象徴的です。
In Japanese society, there is a tendency in common sense that self-sacrifice is a good thing. Thus it has been one of the big theme in creation. However, such way of thinking causes sweatshop ("black company" in Japanese), and it had lead to Kamikaze (suicide attack) in WWII. In Sakura Wars game series by SEGA, expression of this theme had changed in opposite way from 1 to 2 with the times; I consider it is very symbolic.
若い人には本当に自分を大切にしてほしいと思うし、そうできる地盤を私自身を含む年配者が作らねばなりません。土屋作品でもそういう人物が要所に配置されていますね。もうこの年になると、そういう年配キャラの方に共感して見ている自分がいますw 私自身は権力のないワープアですが、それでもできる範囲で若者が希望を持てる社会になるように行動したいと思います。そして、そんなメッセージを発信していくことが、創作物の役割の１つではないでしょうか。
I really hope young people to respect themselves, and elder people including myself have to build up a basis which enable them to do that. I can see such elder characters often appear in Director Tsuchya's works, too. At my age, I sympathize with elder characters more than before. I'm only a working poor who have no power, but I want to take action as possible as I can to change this society to let young people have hope. And I believe sending such message is one of the roles of creation.
2016年12月27日火曜日
Dec. 27, 2016
私は今日仕事納めでした（かわりに新年早い）。コミケ行かれる方は道中と戦中お気をつけて。今頃卯月ちゃん辺りは準備に余念がないのかしら。年末とはいえ当直もあるし、みんなの帰省は交代制なのかな。
Today was the end of work this year. (Instead, work begins early next year.) Those of you who go to Comic Market, be careful on the way and during the fight. Probably Uzuki is busy to get prepared for that now. Even during holidays, they have to go on deck, so they might go home in shifts.
Today was the end of work this year. (Instead, work begins early next year.) Those of you who go to Comic Market, be careful on the way and during the fight. Probably Uzuki is busy to get prepared for that now. Even during holidays, they have to go on deck, so they might go home in shifts.
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