また新たな案件が流れてるので書くけど、アルトネリコも1ではまだ抑えてた感がありましたが、2から一気に「女の子が理系苦手なんてどこの話?」的にキャラ造形が広がりましたね。(メタ・ファルスの地域色によるところもあったのでしょうが。)
サージュではついにメインヒロインになったし。同時に、そういう趣向が男女差ではなく、あくまで個人差として描かれているのが良いと思います。男性向けとして作られているから知られにくいし、そういう観点の問題がないわけじゃないけど、女性にも面白いと思うの。
I'm going to write this since I saw another new issue on my TL. I feel the way of making characters in Ar tonelico series has been greatly varied since Ar tonelico 2 (a little self-imposed control seemed in Ar tonelico 1) as if Director Tsuchiya tells "Where in the world people say that girls are not good at science?" (I guess it caused by regional traits of Meta Phalse, too.)
In Surge Concerto series, a girl good at science has become a main heroine at last. At the same time, I think it is desirable that such difference is not described as difference by sex, but difference among individuals. Such feature of the games is not much known because they are made basically for male players (I have to mention there are still some problems from the viewpoint of feminism), but I consider they should be interesting for women either.
ガストの土屋暁作品に関していろいろなことを書くブログです。
Various topics relating with Akira Tsuchiya's video game series released by GUST.
Update Info
Last Update: 1/3/2023
※レイアウトの都合上、このブログは「Webバージョン」でご覧ください。(モバイルの場合、画面下部に切り替えリンクがあります。)
*For proper layout, read this blog in "Web version". (There is a switching link at the bottom of this page if you're looking in mobile version.)
このブログを初めて訪問した方は、Aboutをお読みください。Please read "About" if you visit this blog for the first time.
土屋暁氏の作品を知らないという方は、For Beginnersをどうぞ。If you don't know Akira Tsuchiya's works at all, check out "For Beginners".
書き下ろし記事の一覧はNewly Written Postsでご覧ください。
*For proper layout, read this blog in "Web version". (There is a switching link at the bottom of this page if you're looking in mobile version.)
2016年6月11日土曜日
2016年5月9日月曜日
May 9, 2016
初心者完全お断りなサージュの小説2巻、とどめは巻末の土屋さんの解説w お茶目だなあ。富松元気さんの言葉からは、プレイヤーに対する気遣いがひしひしと伝わり、嬉しく思いました。(小説の詳しい感想は前ブログの記事参照)それで思い出すのは、アルトネリコのミシャのフラッシュコスモスフィアです。
Vol.2 of the novel, completely not for beginners, the finishing blow is afterwords by Director Tsuchiya. He is indeed mischievious. From Genki Tomimatsu-san's words, I strongly felt his concern to game players, and I was glad to know that. (Refer to this post on my old blog to read my detailed impression for the novel.) That reminded me of Misya's Flash Cosmosphere of Ar tonelico, which had been on the web before.
まず公式がちゃんとフォローしたということが驚きでした。(この件について知らない人は補足をご覧ください。)今思えば、ああいう後先考えないまっすぐさがライナーらしさだし、それで突破口を開けたことも確かなのですが、あの時ミシャの心を救ったのはライナーではなかった、という事実もしっかり腑に落ちました。
First, I was surprised that the official staffs concerned of this subject. (Refer to the footnote if you don't know about the episode.) I admit that it's like him behaving straightly without thinking, and it opened the way to solve the problem. However at the same time, I fully understood that someone who saved Misya's heart was NOT Lyner.
長きに渡ったアルポータルの運営といい、本当に土屋さんも富松さんもファンを大事に思ってくれてると思います。小規模な(失礼)ガストだからこういう交流が続けてこれたのでしょうし、それを考えるとやっぱりあまり有名になってほしくないというジレンマがなきにしもあらず(^_^;)。
Thinking about Ar Portal, which was kept updated for so long, I guess Director Tsuchiya and Tomimatsu-san really care for fans. I think such communication was possible because Gust used to have been a small company (sorry). Considering the fact, I feel dilemma for these works to be popular.
補足:
アルトネリコ1のストーリー中において、ミュールを止めるために塔のサスペンドを実行し、自らも機能停止したシュレリアを助けるため、ミュールを抑える詩「クロニクル・キー」をミシャに「謳ってくれ」と全く躊躇なしにライナーが言ったこと。ミシャの星詠という役割は、人柱とほぼ同義であるため、ライナーの思慮のなさが非難されました。以前のブログ記事で触れたトウコウスフィアの1件も、無理のない話です。その後、公式サイト上のフラッシュコスモスフィアというコンテンツで当時のミシャをフォローする話が公開されました。
Footnote:
In the story of Ar tonelico, Sheleria sang EXEC._SUSPEND. to stop Mule, and she also stopped her own function. To wake her up, Lyner asked Misya to sing Chronicle Key without any hesitation. This Misya's role, Hoshiyomi means almost same as a human sacrifice, so many players blamed Lyner's unconcern for her. I consider it's no wonder that there was a quarrel in Toukousphere which I mentioned in my old blog. Later, a content called Flash Cosmosphere which deal with the scar in Misya's heart at that time was released on the official web site.
Vol.2 of the novel, completely not for beginners, the finishing blow is afterwords by Director Tsuchiya. He is indeed mischievious. From Genki Tomimatsu-san's words, I strongly felt his concern to game players, and I was glad to know that. (Refer to this post on my old blog to read my detailed impression for the novel.) That reminded me of Misya's Flash Cosmosphere of Ar tonelico, which had been on the web before.
まず公式がちゃんとフォローしたということが驚きでした。(この件について知らない人は補足をご覧ください。)今思えば、ああいう後先考えないまっすぐさがライナーらしさだし、それで突破口を開けたことも確かなのですが、あの時ミシャの心を救ったのはライナーではなかった、という事実もしっかり腑に落ちました。
First, I was surprised that the official staffs concerned of this subject. (Refer to the footnote if you don't know about the episode.) I admit that it's like him behaving straightly without thinking, and it opened the way to solve the problem. However at the same time, I fully understood that someone who saved Misya's heart was NOT Lyner.
長きに渡ったアルポータルの運営といい、本当に土屋さんも富松さんもファンを大事に思ってくれてると思います。小規模な(失礼)ガストだからこういう交流が続けてこれたのでしょうし、それを考えるとやっぱりあまり有名になってほしくないというジレンマがなきにしもあらず(^_^;)。
Thinking about Ar Portal, which was kept updated for so long, I guess Director Tsuchiya and Tomimatsu-san really care for fans. I think such communication was possible because Gust used to have been a small company (sorry). Considering the fact, I feel dilemma for these works to be popular.
補足:
アルトネリコ1のストーリー中において、ミュールを止めるために塔のサスペンドを実行し、自らも機能停止したシュレリアを助けるため、ミュールを抑える詩「クロニクル・キー」をミシャに「謳ってくれ」と全く躊躇なしにライナーが言ったこと。ミシャの星詠という役割は、人柱とほぼ同義であるため、ライナーの思慮のなさが非難されました。以前のブログ記事で触れたトウコウスフィアの1件も、無理のない話です。その後、公式サイト上のフラッシュコスモスフィアというコンテンツで当時のミシャをフォローする話が公開されました。
Footnote:
In the story of Ar tonelico, Sheleria sang EXEC._SUSPEND. to stop Mule, and she also stopped her own function. To wake her up, Lyner asked Misya to sing Chronicle Key without any hesitation. This Misya's role, Hoshiyomi means almost same as a human sacrifice, so many players blamed Lyner's unconcern for her. I consider it's no wonder that there was a quarrel in Toukousphere which I mentioned in my old blog. Later, a content called Flash Cosmosphere which deal with the scar in Misya's heart at that time was released on the official web site.
2016年4月27日水曜日
April 27, 2016
少し前に秋元康の歌詞が議論になってたけど、まあおニャン子の頃からひどかったからね、うん…(遠い目)。問題にされるようになっただけ、進歩したのかもしれない。翻って、生活環境が我々の世界より厳しいアルシエルでは、賢くなかったら生き残れないので、頭悪い女性なんて登場しません。
Lyrics of a new song by Yasushi Akimoto had been a subject of argument a while ago, well, I know his lyrics have been terrible since the age of Onyanko Club. (For those of you who don't know about this issue, here's English article written by Sae Kitamura on Facebook.) Maybe it have become a bit better than before because it is recognized as a problem. On the other hand, there is no airhead girl in Ar Ciel since the living environment is more severe than Earth, and they can't survive if they are not smart.
学校教育という意味では無論各人差がありますが、それが本当の頭の良さではないのは承知の通り(学校教育という点では、ルカやさーしゃはかなり恵まれていないと思います)。そして、有利に生きるために人に媚びて愛されるように演じてきたルカは、それでは駄目だと気付いて"hartes ciel, melenas walasye."を歌います。例の秋元康の歌とはすごく対照的な気がしませんか。もっともっといい表現を作れるクリエイターが日本にはまだたくさんいる。私はそう信じています。
In terms of school education, each of them has a difference in levels of education, of course, but we know that's not an exact measure for how clever they are. (In terms of school education, I suppose Luka and Sasya are quite underprivileged.) Luka, who used to live pretending herself to be liked by people around, had realized that was not good for her, and sang "hartes ciel, melenas walasye." Don't you think it's a quite contrast to Akimoto's song? There are still many creators who can produce great works in Japan. I believe so.
Lyrics of a new song by Yasushi Akimoto had been a subject of argument a while ago, well, I know his lyrics have been terrible since the age of Onyanko Club. (For those of you who don't know about this issue, here's English article written by Sae Kitamura on Facebook.) Maybe it have become a bit better than before because it is recognized as a problem. On the other hand, there is no airhead girl in Ar Ciel since the living environment is more severe than Earth, and they can't survive if they are not smart.
学校教育という意味では無論各人差がありますが、それが本当の頭の良さではないのは承知の通り(学校教育という点では、ルカやさーしゃはかなり恵まれていないと思います)。そして、有利に生きるために人に媚びて愛されるように演じてきたルカは、それでは駄目だと気付いて"hartes ciel, melenas walasye."を歌います。例の秋元康の歌とはすごく対照的な気がしませんか。もっともっといい表現を作れるクリエイターが日本にはまだたくさんいる。私はそう信じています。
In terms of school education, each of them has a difference in levels of education, of course, but we know that's not an exact measure for how clever they are. (In terms of school education, I suppose Luka and Sasya are quite underprivileged.) Luka, who used to live pretending herself to be liked by people around, had realized that was not good for her, and sang "hartes ciel, melenas walasye." Don't you think it's a quite contrast to Akimoto's song? There are still many creators who can produce great works in Japan. I believe so.
2016年4月20日水曜日
April 20, 2016
April 20, 2016 19:42
私がアルトネリコ3の小説で唯一不満だったのは、ルカの見せ場がなかったことなんですよね~。メタファリカに会う場面も、一番良いところはサキがさらっちゃったので(ティリアが中心の話だから当然ですが)。小説はかなり余すところなくキャラを活躍させていただけに、残念でした。
個人的には、もう1シーンくらい離れた場所にいるクローシェを支えてあげるような場面があればよかったのに、と当時妄想を巡らせたものですw1シーンならそんな大変じゃないし、いつかブログにSS書くかもしれません。
The only point I was dissatisfied with in the novel of Ar tonelico 3 was that there was no highlight scene for Luka. Even in the scene which she meets Metafalica, the most important role was taken by Saki. (I know it is natural because the story is mainly about Tilia, though.) I was disappointed since the novel seemed to give an active part to as many characters as possible.
I personally thought that it could have been better if there was one more scene showing Luka's care for Chroche who was working hard in a far place. It is not a big deal to write only one scene, so maybe I'll write a fan fiction on this blog someday!
私がアルトネリコ3の小説で唯一不満だったのは、ルカの見せ場がなかったことなんですよね~。メタファリカに会う場面も、一番良いところはサキがさらっちゃったので(ティリアが中心の話だから当然ですが)。小説はかなり余すところなくキャラを活躍させていただけに、残念でした。
個人的には、もう1シーンくらい離れた場所にいるクローシェを支えてあげるような場面があればよかったのに、と当時妄想を巡らせたものですw1シーンならそんな大変じゃないし、いつかブログにSS書くかもしれません。
The only point I was dissatisfied with in the novel of Ar tonelico 3 was that there was no highlight scene for Luka. Even in the scene which she meets Metafalica, the most important role was taken by Saki. (I know it is natural because the story is mainly about Tilia, though.) I was disappointed since the novel seemed to give an active part to as many characters as possible.
I personally thought that it could have been better if there was one more scene showing Luka's care for Chroche who was working hard in a far place. It is not a big deal to write only one scene, so maybe I'll write a fan fiction on this blog someday!
2016年4月18日月曜日
April 18, 2016
(熊本地震に際して)TLに生理用品についての話題が流れているので、不謹慎かもしれないけどあえて考察してみます。
そもそもアルシエル人が地球人と同じ体の仕組みをしていると仮定しての話ですが、β純血種は体の構成要素からして人間と違うので、生理はない可能性があります。生理の際に排出されるものがうまく内部で循環されるようになっているのではと考えます。生理は心身に支障をきたすデメリットがあるので、設計にあたってわざわざそれを再現する必要があるとは思えません。
対して第三世代は多分普通に生理があると思うので、延命剤に加えその心配もせねばならず、旅の苦労がしのばれます。β純血種に生殖機能があるのはクロガネの思惑によるものですが、元々その目的で造られた訳ではないのに、レーヴァテイルが一気に普及したのは生殖機能のおかげもあっただろうことにやはりおぞましさを感じます…。
(Relating with the earthquake in Kumamoto) Since there is a topic about sanitary goods on my TL, maybe it can be considered indiscreet, but I try to look at this theme.
First of all, this is based on an assumption that people in Ar Ciel have the same body structure as ours; Beta Pureblood possibly might not experience menstruation. I suppose materials which are excreted are somehow circulated within their bodies. I don't think scientists tried to recreate menstruation when they design Reyvateils because it can cause problems with woman's mental and body.
On the other hand, I think Third Generation Reyvateils experience menstruation, so they have to worry about that on top of Daiquirity. I can easily imagine how hard it was when they were travelling. It was Kurogane's idea that Beta Pureblood has reproductive function, but I can't help to feel that it is nauseating that reproductive function surely contributed to spread Reyvateils rapidly among people although their original purpose was not that.
そもそもアルシエル人が地球人と同じ体の仕組みをしていると仮定しての話ですが、β純血種は体の構成要素からして人間と違うので、生理はない可能性があります。生理の際に排出されるものがうまく内部で循環されるようになっているのではと考えます。生理は心身に支障をきたすデメリットがあるので、設計にあたってわざわざそれを再現する必要があるとは思えません。
対して第三世代は多分普通に生理があると思うので、延命剤に加えその心配もせねばならず、旅の苦労がしのばれます。β純血種に生殖機能があるのはクロガネの思惑によるものですが、元々その目的で造られた訳ではないのに、レーヴァテイルが一気に普及したのは生殖機能のおかげもあっただろうことにやはりおぞましさを感じます…。
(Relating with the earthquake in Kumamoto) Since there is a topic about sanitary goods on my TL, maybe it can be considered indiscreet, but I try to look at this theme.
First of all, this is based on an assumption that people in Ar Ciel have the same body structure as ours; Beta Pureblood possibly might not experience menstruation. I suppose materials which are excreted are somehow circulated within their bodies. I don't think scientists tried to recreate menstruation when they design Reyvateils because it can cause problems with woman's mental and body.
On the other hand, I think Third Generation Reyvateils experience menstruation, so they have to worry about that on top of Daiquirity. I can easily imagine how hard it was when they were travelling. It was Kurogane's idea that Beta Pureblood has reproductive function, but I can't help to feel that it is nauseating that reproductive function surely contributed to spread Reyvateils rapidly among people although their original purpose was not that.
登録:
投稿 (Atom)